Alexandria, VA — This morning a judge in the Eastern District of Virginia (EDVA) denied a motion filed by Chelsea Manning’s attorneys to quash a subpoena compelling grand jury testimony from Chelsea.
Chelsea and her attorneys plan to utilize every available avenue to challenge this subpoena. Chelsea has been compelled to come back to court tomorrow. Following today’s events Chelsea’s support committee, Chelsea Resists!, has issued a solidarity statement:
“Today we stand in solidarity with Chelsea Manning, and her fight against the dangerous and undemocratic grand jury system. Grand juries operate in secret, allowing the government to retaliate against activists and dissidents behind closed doors.
“This case is no exception. By demanding that Chelsea testify and keeping the basic facts of this grand jury under seal, the government today denied the public’s right to see this oppressive process in the light of day.
“Donald Trump and his administration have publicly declared their disdain for Chelsea, and for President Obama’s decision to commute her sentence. Chelsea has stood by the testimony from her 2013 court martial, and this subpoena serves no legitimate purpose. It is a punitive effort to reverse Obama’s legacy, exposing Chelsea to legal hardship and possible imprisonment.
“Even further, this case has profound 1st Amendment implications. It threatens to erode the rights of journalists who publish information in the public interest. The grand jury could also subject Chelsea’s activist networks to intrusive surveillance for engaging in lawfully-protected activity.
“By challenging this subpoena, Chelsea joins dozens of activists who have refused to jeopardize themselves and their communities. After seven years of imprisonment and torture, Chelsea has suffered enough. We demand an end to this vindictive fishing expedition, and the abolition of the repressive grand jury system. #LeaveChelseaAlone!”
See list of References below that will be up to date soon and updated every morning, as we get more information.
Updated statement from her support team on March 5, 2019:
Our statement on today’s hearing:
“By demanding that Chelsea testify and keeping the basic facts of this grand jury under seal, the government today denied the public’s right to see this oppressive process in the light of day.” #LeaveChelseaAlonehttps://t.co/IrAalhp5Mi
Chelsea Manning has been summoned to appear and give testimony before a federal grand jury. The grand jury is related to her 2010 disclosures of information about the nature of asymmetric warfare to the public.
Following in the footsteps of scores of other activists, Chelsea refused to testify in front of the grand jury, and is currently incarcerated for civil attempt. She may be held until she “purges”- which she won’t- or until the grand jury is released.
Chelsea risked so much for public good, and has been through a lot of hardship. Let’s show her solidarity together and let the State know their punitive harassment won’t be tolerated.
What are grand juries?
Grand juries are used to establish “probable cause” that a felony offense has been committed. Prosecutors run the proceedings behind closed doors, without a judge or defense attorney present. Basically, the whole process is rigged to favor indictment of the individual accused of a crime. They have also been used historically to oppress and frighten targeted groups, in particular, people perceived as dissidents and activists.
Why Resist a grand jury?
Due to their secretive nature and limitless subpoena power, the government has utilized grand jury processes as tools for garnering information about movements by questioning witnesses behind closed doors. Since testimony before grand juries is secret, grand juries can create fear by suggesting that some members of a political community may be secretly cooperating with the government. In this way, grand juries can seed suspicion and fear in activist communities.
What will funds go toward specifically?
We will need legal funds for Chelsea’s legal fees, and legal costs such as court transcripts and travel, and commissary.
If Chelsea does not end up needing these funds they will go to other radical projects of our choosing.
Projekt Seahorse a.k.a. Aaron Moun10 is known for his analog mixed-media art, which he performs live in real time. We interviewed him about his techniques and process in creating his real time masterpieces.
Lisa Rein: So how do you make your visuals? Is everything analog? Are there any digital components? How does it work?
Projekt Seahorse: I’m like a live band. I’m running everything from 4-6 different VHS players and two DVD players and two laptops, all into a video mixer, and then I’m sequencing all of it live.
LR: So your using that old video mixer?
PS: Yes I’m mixing it all live to the energy of whatever music artist I’m working with.
LR: So it’s still analog mixing then, when you are using that video mixing board?
PS: Yes. Analog mixing in real time….
Shamanic Dancer Lael Marie dances while Projekt Seahorse projects his analog video performance art. (Click to see a short video :)
LR: So Lael Marie will be performing with you for the first time at our Raw Thought show on March 11. I’ve seen you guys perform together during a practice session and she’s absolutely amazing; and the two of you together are quite impressive. How did you ever find her?
PS: We met at a party and she’s always looking for new progressive projects and events where she can dance, so I told her about Raw Thought.
LR: Yes she mentioned she was always looking for interesting collaborations, and said this was a dream come true for her, as she had been looking for a projectionist to collaborate with for a while. (I’ll have an interview with her up later this week!)
4) A few words with Mochipet, who performed at Raw Thought On January 11th at the DNA Lounge – A Tale Of Modular Synthesizers – Another Open Source Success Story – Mochipet is a modular synthesizer aficionado and he explains how the German company Doepfer’s decision to make their specs open has led to a flourishing of musical culture that would otherwise have been impossible.
To be clear: It’s two events in one – if you get there early enough (between 7-8:30pm) to learn about Police Surveillance and filing public records requests, great! If not, no biggie, just grab a drink and join the party.
Come to Raw Thought on March 8th (from 9pm-2am) & see Grumpy Green‘s super special Psychedelic Chill Room (an immersive space for both dancing & chilling).
For the first time ever, we are having an event on this day, January 11, 2019 – and providing a little Q & A session to help explain things to our community.
Remembering our friend and letting him inspire us makes us stronger and more determined than ever to help people all over the world.
“Raw Thought” – a musical artistic thought-provoking combination of DJs (Mochipet w a live drummer, Tha Spyryt, Ozlo Glowing and Cain MacWitish), visuals on many screens by Projekt Seahorse, an immersive art installation by Grumpy Green, historical collages by the Swartz-Manning VR Museum Team, and a Psychedelic Chill room. The fun starts before 10 sometime and goes till 2am.
Come to Raw Thought on March 8th (from 9pm-2am) & see Grumpy Green’s super special Psychedelic Chill Room (an immersive space for both dancing & chilling).
All pics below of Mochipet and kitties link to Mochipet songs :-)
Lisa Rein: So you mentioned that you’ve been feeling very experimental lately, and I saw on your instagram that you’ve been messing with a lot of new equipment.
Mochipet: I always do that.
LR: Well what are you playing with recently?
Mochipet: I’m doing a lot of modular synth stuff. I’ll probably be doing some modular synth stuff on Friday.
LR: Is that just a type of synthesizer? What’s “modular synth” exactly?
Mochipet: Modular synth is basically kind of like a synthesizer, with a bunch of parts. You can take separate parts and make a frankenstein thing of whatever you want.
It’s like if you had the ability to take the EQ off of one synthesizer, and then took the amp of another synthesizer, and then put them all together. All the pieces are modular. They’re separate. So you can put them all together and make a brand new thing.
LR: So it allows you to customize your sound?
Mochipet: Yes it’s very customized because everybody can put things together in a very different ways. It’s kind of like LEGOs I guess. That’s a great analogy: yes just like LEGOs. It’s just parts.
LR: Do the parts have to be a certain brand?
Made my first spaghetti 🍝 party last night. I need more cables. #mochipet #inthestudio #modularsynth #eurorack
Mochipet: No. There are many brands of modules. That’s the cool thing about it is that it’s a very decentralized system. So, basically, there’s a standard.
It’s kind of like the Internet: If people follow the standard their pages will work in a browser. This is kind of like that with modular synths. They all have a certain voltage. They all have a certain voltage range, for notes, and things like that.
There’s kind of a standard that this German company Doepfer made that other people just adopted. So there’s a lot of really small operations, individual people, making modules.
Doepfer made their specs open. There’s a lot of standards now where I think people realize if you make them open then you’re gonna get a lot more use out of it. If it was a closed system, nobody would use it. It would be useless. You need open systems in order for people to be able to participate,, and that really opens the door up for a lot of individuals to do really unique things. Because everybody thinks differently.
Rather than having a big bureaucratic company with standards and rules dictating whatever their idea of what the industry should be like. There’s none of that. Instead, it’s just random people making different things. But they all work together. So you can connect anything to anything and it will work, and you can make unique things out of it that nobody could ever make before.
LR: So that’s what those contraptions are that we see in your photographs?
Mochipet: Yeah yeah. It’s a really cool thing. It’s kind of new. Doepfer came out with it many years ago, but the whole modular synth “scene” kind of thing is pretty new. I mean like five or ten years old. People are doing it just because they love it. They are making really interesting instruments and they like coming up with ideas. Some of these modules, there are only like 50 of them. They’ll make 50. And they’ll sell em, and that’s it.
LR: So some of them are rare and hard to obtain?
Mochipet: Yes. Some of them become rare. Some of them are very hard to find. There’s a lot of them that are made all over the world. There’s this guy in China that makes really cool ones. There’s people in Italy that make really cool modules. There’s this company Make Noise, here in the states that’s very popular. It’s kinda nerdy. It’s kind of like open source programming, but with music. It’s like people can write little programs or functions or whatever and put it into the system. And then people can take it and ya know, do whatever they want with it. Do new things with it.
This one company, Mutable Instruments. They’re in France. All these companies are just like, one guy. There’s like a guy who designs the modules and he tells a guy how many knobs. But it’s just those guys. There’s no team. So he (the guy in France) started doing digital modules, which incorporate computer programming within them. All his stuff is open source too. So, you can take his code and make the module, or add more stuff to it, or change it. There’s an open source community spirit to it, which is really nice.
LR: Does he actually release it under an open source license?
Mochipet: Yes!
LR: (Lisa looks it up online.) Hey cool it’s a Creative Commons: cc-by-sa 3.0 license.
We will be discussing this lawsuit and the Aaron Swartz Day Police Surveillance Project in general (its templates, latest results from Sacramento & other cities in California) at this month’s Raw Thought Salon on March 8th – from 7-9pm.
A “Property of the People” Freedom of Information Act (FOIA) lawsuit has obtained documents proving that Aaron was scooped up in an FBI investigation as far back as 2007, even before the PACER project, in 2008. (Previously we thought the PACER project was the first time the FBI had concerned itself with Aaron.)
Aaron had been erroneously swept up in a 2007 terrorist investigation that, most likely, caused law enforcement agencies (FBI, DOJ) to treat him with rougher hands during its subsequent encounters with him afterwards.
His email was only scooped up because the Feds were probably using National Security Letters (NSLs) to get all of a University Department’s email headers, in bulk, from a computer science department that Aaron had emailed. (More on NSL’s here.) Long story short they enable the FBI to demand information from entities without court approval. (No warrants. No judicial oversight.)
Highlights from the two documents are displayed below): (1)(2) These documents show the information that the FBI had in its database about Aaron, way back in February of 2007:
How specifically the FBI came to possess Swartz’s email data remains unclear.
But after reviewing the document and other related files, several legal experts told Gizmodo the most likely explanation was that the FBI had used a National Security Letter (NSL), a ubiquitous tool for obtaining email header data at the time. An NSL would have enabled federal agents to demand access to the data and then impose a gag order to maintain secrecy around the investigation, all without a judge’s approval.
Authorized under the Stored Communications Act, in cases of suspected terrorism or espionage, these letters enable the FBI to seize a variety of electronic records under its own authority. While agents cannot use an NSL to acquire the contents of an email message, the FBI’s notes appear to show that, in Swartz’s case, it sought only “email headers,” data the FBI would argue falls well within the scope of its power to seize.
NSL Letters are over reaching, post-911 creations that we’ve all learned a lot about these last few years because Brewster Kahle at the Internet Archive went public with his experience with them, and then he worked with the ACLU and the EFF to challenge NSLs as being unconstitutional. Here’s a great story about it by Richard Koman for ZDNet, where Brewster Kahle offers a cookbook for fighting security letters:
Just talked to Brewster Kahle at the Internet Archive about their successful settlement with the FBI of a lawsuit over a National Security Letter. The FBI had demanded personal information on a user; the Archive replied with a lawsuit challenging the propriety of the NSL.
***
We will be discussing this lawsuit and the Aaron Swartz Day Police Surveillance Project in general (its templates, latest results from Sacramento & other cities in California) at this month’s Raw Thought Salon on March 8th – from 7-9pm.
Follow them on twitter here.
3) “Property of the People” Lawsuit Proves Aaron Was Scooped Up In An FBI Investigation Back In 2007 – Aaron had been erroneously swept up in a 2007 terrorist investigation that, most likely, caused law enforcement agencies (FBI, DOJ) to treat him with rougher hands during its subsequent encounters with him afterwards.
4) A few words with Mochipet, who performed at Raw Thought On January 11th at the DNA Lounge – A Tale Of Modular Synthesizers – Another Open Source Success Story – Mochipet is a modular synthesizer aficionado and he explains how the German company Doepfer’s decision to make their specs open has led to a flourishing of musical culture that would otherwise have been impossible.
For the first time ever, we are having an event on this day, January 11, 2019 – and providing a little Q & A session to help explain things to our community.
